Zulkhairi Zulkiflee
Singapore
 

Building upon his ongoing research into the tropes and evolving definitions of Malayness, Zulkhairi Zulkiflee plans to unpack the implications of the word “world” as it is commonly employed in Singaporean-Malay, tracing the complex socio-political implications that linger in the mixture of desires and tensions oriented towards global belonging.

Zulkhairi Zulkiflee

3 April - 31 August 2023

In the Singaporean-Malay slang, “world” is used to signal boastful aspirations towards a social status higher than one’s own, often conveyed through self-aggrandising story-telling. Utilising this as an alternative framework to the postcolonial notion of “worlding”, whereby one’s conceptualisation of the world is devised through colonial attachments, the artist will spend his residency investigating the multitude of meanings behind the word’s usages as a way of unravelling sociolinguistic constructs and processes of identity formation. This research will ultimately result in lens-based explorations that engage with “world” through conceptual propositions and visual arrangements comprising archival photos and sociohistorical accounts. 


Zulkhairi Zulkiflee, Proximities; Malay Boy (Posterior) (after Cheong Soo Pieng), 2020-21, single-channel video and lightbox with fabric print, installation view. Courtesy the Artist.
Zulkhairi Zulkiflee, Proximities, 2021, single-channel video, installation view. Courtesy the artist.
Zulkhairi Zulkiflee, Malay boy (Posterior glance in blue), 2020, 3D printed figurine, paint, electronics. Courtesy the artist.
Zulkhairi Zulkiflee, Untitled (MAT), 2019, UV print on cake box, acrylic putty, found table, LED light on acrylic, digital print on canvas fabric and wood, installation view. Courtesy the artist.

Kicking off the first episode of our third season, we hand the microphone over to acclaimed playwright, writer, and poet Alfian Sa’at for a conversation with our Artist-in-Residence Zulkhairi Zulkiflee. In this insightful exchange dotted with amusing observations on Singaporean Malay slang, the two trace Zulkhairi’s artistic trajectory—from his educational background to his ongoing inquiry into Malay social ontology and into the politics of representation. Throughout the conversation, they discuss the trope of the “Malay boy” that features prominently across Zulkhairi’s body of work, addressing questions of agency, empowerment, and the subject-object dichotomy in art. Zulkhairi also opens up about his current research on the Malay slang word “world” which he frames as a concept and a creative proposition to find new ways of looking at historical representations of minorities.

With a body of work spanning across film, installation, and photography, the artistic practice of Zulkhairi Zulkiflee is committed to exploring Malay identity and its social ontology. His lens-based artworks investigate themes of Malayness in relation to local and global contexts, social agency, knowledge production, and notions of taste. Zulkhairi is also an educator, independent curator, and founder of Sikap, a project group that engages with the creative value of ‘let do’ in the form of organizational experiments.

Alfian Sa’at is the Resident Playwright of the theatre company Wild Rice. His published works include collections of poetry, short stories, flash fiction, and plays. In 2001, Alfian won the Golden Point Award for Poetry as well as the National Arts Council Young Artist Award for Literature. In past years, Alfian has received the Best Original Script at the Life! Theatre Awards four times and was nominated for the Singapore Literature Price three times.


Contributors
Zulkhairi Zulkiflee
Zulkhairi Zulkiflee
Artist-in-Residence
Singapore

With a body of work spanning across film, installation, and photography, the artistic practice of Zulkhairi Zulkiflee (b. 1991, Singapore) is committed to exploring Malay identity and its social ontology. His lens-based artworks investigate themes of Malayness in relation to local and global contexts, social agency, knowledge production, and notions of taste. Zulkhairi recently concluded his first solo exhibition, Proximities at Objectifs – Centre for Photography and Film, Singapore (2022). His work has also been presented in group exhibitions such as  Kenduri Seni Nusantara, Patani, Thailand, Singapore Shorts ‘22, Asian Film Archive, Singapore, Mini Film Festival, S-Express Singapore, Kuching, Malaysia, and The Singapore Pavilion, Expo 2020, Dubai, United Arab Emirates (all 2022); The Body as a Dream, Art Agenda SEA, Singapore (2021) and How to Desire Differently, Lim Hak Tai Gallery, Nanyang Academy of Fine Arts, Singapore (2020) among others. Zulkhairi is also an educator, independent curator, and founder of Sikap, a project group that engages with the creative value of ‘let do’ in the form of organizational experiments. He was the Curatorial Winner of the IMPART Awards in 2020.