Zarina Muhammad

Embracing a constellatory and process-led approach in her collaboration with multiple researchers at EOS, Zarina Muhammad dedicates STAR RESIDENCY to further her engagement with hybrid forms of ecological witnessing and polycosmologies as well as her exploration of the interdependency of environmental knowledge systems. The artist intends to conduct fieldwork on selected sites where geological and ecological significance resonate with underwater cultural heritage and indigenous knowledge systems, seeking points of convergence with EOS’s work in monitoring and addressing the regional impact of climate change. By exploring remote-sensing techniques and data translations through creative and empirical processes, this research hopes to expand the epistemic frameworks of nonhuman witnessing in the context of environmental crisis. The artist plans to expand her collaborative practice through interdisciplinary exchange, convening scientists, artists, storytellers, and ancestral knowledge keepers to develop speculative maps and multi-layered cartographies inspired by the complexity of environmental data, ecological processes, and trans-indigenous cosmologies.

Zarina Muhammad (b. 1982, Singapore) is an artist, educator, and researcher whose practice critically re-examines oral histories, ethnographic literature, and historiographic narratives of Southeast Asia. Working at the intersections of performance, text, installation, ritual, sound, moving image, and participatory practice, her work explores the enmeshed contexts of ecocultural cosmologies, identities and interactions, mythmaking, haunted historiographies, and geo-spirited landscapes. Her long-term interdisciplinary project investigates Southeast Asia’s evolving relationship with spectrality, ritual magic, polysensoriality, and the immaterial, examining these themes against the backdrop of global modernity, the social production of rationality, and transcultural exchanges of knowledge. Her work has been widely presented at international biennales and institutions, including FotoFest Biennial, Houston, USA (2024), the 2nd Diriyah Contemporary Art Biennale, Saudi Arabia (2024), the 7th Singapore Biennale (2022), and the 3rd Lahore Biennale, Pakistan (2024). She recently had a solo presentation, curated by Shubigi Rao, at the Singapore Pavilion at the 15th Gwangju Biennale, South Korea (2024). Zarina is the recipient of the 2022 IMPART Art Prize.