Yanyun Chen
Singapore
 

Pursuing her ongoing research into intergenerational conflicts and trauma, Yanyun Chen will spend her residency examining methods of discipline within the family context.


Yanyun Chen, Stories of a Woman and her Dowry: Three Dawns, 2022, installation view. Courtesy the artist.
Yanyun Chen, Constructing Mementos: Nation States II, 2021, charcoal on paper with digital animation. Courtesy the artist.
Yanyun Chen, The Truth Lies no.1, 2020, digital print on paper. Courtesy the artist.
Yanyun Chen, Scars that write us, 2018, charcoal on steel. Courtesy the artist.

In this episode, we entrusted curator and scholar Karin Oen to converse with our Artist-in-Residence Yanyun Chen. The two come together for a fascinating conversation revolving around the significance of the studio in Yanyun’s practice, revealing how it can act as a stable space for generative experimentation, exploration, and inspiration during transitional periods. Throughout the exchange, Yanyun divulges the importance of materiality in her practice, how the residency has influenced new modes of thinking and working, and the innocuous comments that kindled her interest towards her current research project. They also touch upon Yanyun’s concurrent practices, contemplating the value in allowing them to unfold and weave together naturally.

 

Dr. Yanyun Chen is a visual artist who works across drawings, new media, and installation. Her artistic practice unravels fictional and philosophical notions of embodiment exploring how heritage and legacies are grounded in the physicality of human and botanical forms.

Dr. Karin Oen is a curator and art historian based in Singapore where she is Senior Lecturer and Head of the Department of Art History at NTU’s School of Humanities. She works on historical, modern, and contemporary creative practices related to the transcultural and the transmediatic.


Contributors
Yanyun Chen
Yanyun Chen
Artist-in-Residence
Singapore

Dr. Yanyun Chen (b. 1986, Singapore) is a visual artist who works across drawings, new media, and installation. Her artistic practice unravels fictional and philosophical notions of embodiment exploring how heritage and legacies are grounded in the physicality of human and botanical forms. Her solo exhibitions include Stories of a Woman and Her Dowry, Grey Projects, Singapore (2019) and Scars that write us, part of the President’s Young Talents 2018, Singapore Art Museum (2018). She has participated in group exhibitions such as While She Quivers, Objectifs – Centre for Photography and Film, Singapore (2021); Thailand Biennale, Korat 2021 (2021); Clouds: The 6th International Exhibition on New Media Art 2020, CICA Museum, South Korea (2020); Fiction Non Fiction, Cultural Affairs Bureau, Macau (2019); 2291: Futures Imagined, Art Science Museum, Singapore (2019) among others. Yanyun has received the Young Artist Award in 2020 and the IMPART Art Prize in 2019. Her works were also awarded the Prague International Indie Film Festival Q3 Best Animation Award (2020), National Youth Film Awards Best Art Direction Award (2019), Singapore Art Museum President’s Young Talents People’s Choice Award (2018), and the Lee Kuan Yew Gold Medal Award (2009).