Valentina Karga
Germany
 

Working with a comparative methodology, Valentina Karga intends to delve deep into theories of prehistoric matriarchal societies.

Valentina Karga

11 February - 11 March 2019

Working with a comparative methodology, Valentina Karga intends to delve deep into theories of prehistoric matriarchal societies. Still at an early stage of development, her inquiry embraces multiple sources and ultimately aims to intertwine myths, histories, and political implications of matriarchal societies with the Anthropocene discourse, engaging theories on the posthuman condition that advance the understanding of the planet as a homeostatic system where all living and non-living organisms are connected and interdependent. Among her current sources of inspiration are Helen Diner’s seminal work for women’s cultural history, Mothers and Amazons, published in 1932; Marija Gimbutas’ notion of “archaeomythology” which blends archaeology, comparative mythology, and folklore; and Bruno Latour’s reading of the Gaia Hypothesis formulated by James Lovelock in the 1970s. During the residency, the artist aims to expand her understanding of feminine symbolism by researching prehistoric symbols and archaeological excavations in Southeast Asia.


Valentina Karga, 11 February – 11 March 2019, Courtesy of the artist.
Valentina Karga, 11 February – 11 March 2019, Courtesy of the artist.
Valentina Karga, 11 February – 11 March 2019, Courtesy of the artist.
Valentina Karga, 11 February – 11 March 2019, Courtesy of the artist.

Contributors
Valentina Karga
Valentina Karga
Artist-in-Residence
Germany

The artistic practice of Valentina Karga (b. 1986, Greece) spans the fields of architecture, socially engaged art, and performance. Interested in creating alternatives to existing societal and pedagogical structures, Kargadesigns conceptual infrastructures that encourage engagement and participation to facilitate practices of commoning and sustainability. Her works have been presented at Athens Biennale, Greece (2013); transmediale, Berlin, Germany (2016); and the inaugural Thailand Biennale (2018-19). She is a founding member of Collective Disaster, an interdisciplinary, transnational, and nomadic community that works in the intersections of art, architecture, and the social realm and is currently Professor for introduction to artistic work in Design at HFBK Hamburg, Germany.