The Observatory
Singapore
 

STAR RESIDENCIES is a new residency programme that engages artists and scientists through interdisciplinary collaboration. The first cycle of STAR RESIDENCIES (2025–26) unfolds in collaboration with NTU Earth Observatory of Singapore.

The Observatory

15 April 2025 - 31 March 2026

During STAR RECIDENCY, The Observatory will deepen their entanglement with subterranean phenomena and geological formations. Drawn to the complexity and non-linear nature of volcanoes as well as to their cultural significance in diverse belief systems, the artists will collaborate with the Volcano Group and other EOS researchers to grow their understanding of these unpredictable and explosive entities, with a focus on the volcanic arcs that shape Southeast Asia. In line with their sound-centred approach to experimentation and research, they are particularly interested in exploring the sonic emanations of volcanic phenomena. Furthermore, they also plan to look at the intricate processes of magma transport dynamics, viscous flow, rock formation/deformation, crystallisation, degassing, and solidification. By reinterpreting the data and knowledge produced by EOS researchers, The Observatory aim to develop new perspectives that, synthetising scientific research and artistic imagination, resonate from deep time to contemporary existence.

The Observatory is a band whose music and cultural ethos is to responds and speaks back to the contemporary afflictions in Singapore and the global milieu. Its current constellation comprises multi-instrumentalists Cheryl OngDharma and Yuen Chee Wai who tread on improvisation, intermedia, experimentation and noise-adjacent territories. In confronting new forms of disorders, The Observatory restlessly turns upon itself to agitate, to comfort and to resist. Drawing on old and new lexicons, The Observatory seeks to bridge artists and expressions (a bit unclear, maybe consider: diverse artistic expressions?). Two decades on, the band’s polymath practice encompasses music and performance; in-person festivals and online radio shows; touring gigs and interdisciplinary exhibitions.


The Observatory, REFUGE, 2024, Digital, Courtesy of SIFA and Moonrise Productions
The Observatory, REFUGE, 2024, Digital, Courtesy of SIFA and Moonrise Productions
The Observatory, Cave Moon, 2023, Digital, Photo by Arabelle Zhuang
The Observatory, Cave Moon, 2023, Digital, Photo by Arabelle Zhuang
The Observatory, August, 2016, Digital, Courtesy of the Artist
The Observatory, August, 2016, Digital, Courtesy of the Artist

Contributors
The Observatory
The Observatory
Artist-in-Residence
Singapore

The Observatory is a band whose music and cultural ethos is to responds and speaks back to the contemporary afflictions in Singapore and the global milieu. Its current constellation comprises multi-instrumentalists Cheryl OngDharma and Yuen Chee Wai who tread on improvisation, intermedia, experimentation and noise-adjacent territories. In confronting new forms of disorders, The Observatory restlessly turns upon itself to agitate, to comfort and to resist. Drawing on old and new lexicons, The Observatory seeks to bridge artists and expressions (a bit unclear, maybe consider: diverse artistic expressions?). Two decades on, the band’s polymath practice encompasses music and performance; in-person festivals and online radio shows; touring gigs and interdisciplinary exhibitions.

Dharma
Dharma
Artist-in-Residence
Singapore

Dharma (b. 1969, Malaysia/Singapore) is the guitarist from The Observatory and presents his work as a solo improviser and in different configurations with other improvisers. Having toured Europe and Asia, The Resistance is his last solo work released in 2019 as a split cassette with Wukir Suryadi from Senyawa. The approach in his playing incorporates extended techniques with various preparations and effects, resulting in percussive and textural sonics that go beyond what one would expect of the instrument.

Cheryl Ong
Cheryl Ong
Artist-in-Residence
Singapore

Cheryl Ong (Singapore) is a percussionist active in performance and education and a regular member of the avant-rock group The Observatory. In recent years she has been exploring improvisational and experimental practices for her music, while hunting down new ideas and sounds. Her recent performances include All Ears,Festival (2020, Norway) and AngelicA Festival (2019, Bologna) in a duo with Vivian Wang. Ong participated as a musician for the dance performance by Pichet Klunchun x Wu-kang Chen at Behalf (2019, UCC, Singapore). Her solo composition Hejira was used in Yeo Siew Hua’s award winning film, A Land Imagined.

Yuen Chee Wai
Yuen Chee Wai
Artist-in-Residence
Singapore

Musician, artist, designer, and curator Yuen Chee Wai (b. 1975, Singapore) is known for his commitment to improvised music and experimental projects that explore memory and loss, indeterminacy and invisibility. Ranging from the obsolescent and the newfangled, his eclectic toolbox comprises noise, field recordings, found sounds as well as guitars and various electronic instruments which reverberate with critical perspectives inspired by philosophy, literature, film, and politics. Together with FEN (Far East Network), an improvised music quartet he co-formed in 2008, Yuen is active in triggering multifaceted collaborations across Asia. Since 2014, he is Project Director of Asian Music Network for which he co-curates Asian Meeting Festival. Yuen is also a member of the experimental band The Observatory with whom he plays guitar, efx and objects, and organises a range of projects such Playfreely and BlackKaji.