Soyo Lee
Korea
 

Lee will conduct archival research in order to map the trajectory of European naturalist worldviews in Singapore and Southeast Asia and explore colonial subjectivities embodied in this specific form of representation.

Soyo Lee

19 December 2018 - 28 February 2019

Fascinated by the inconsistencies in taxonomic nomenclature and natural history illustrations within her own country, since 2017 Soyo Lee has been tracking the lineage of natural history representations and systems of classification in Korea. Unlike Japan and most South and Southeast Asian countries, Korea did not actively engage with Western naturalism during the modern era. Opposed by Neo-Confucian scholars during the 19th century, scientific systems for classifying and illustrating nature were introduced during the Japanese colonial rule (1910-45), with the first illustrated botanical index by a local botanist being published only in 1943. This longterm research project aims to develop a comparative analysis of the history of nature illustrations in Korea, Japan, and tropical Asia. During the residency, Lee will conduct archival research in order to map the trajectory of European naturalist worldviews in Singapore and Southeast Asia and explore colonial subjectivities embodied in this specific form of representation.


Soyo Lee, 19 December 2018 – 28 February 2019, Courtesy the artist.
Soyo Lee, 19 December 2018 – 28 February 2019, Courtesy the artist.
Soyo Lee, 19 December 2018 – 28 February 2019, Courtesy the artist.
Soyo Lee, 19 December 2018 – 28 February 2019, Courtesy the artist.
Soyo Lee, 19 December 2018 – 28 February 2019, Courtesy the artist.

Contributors
Soyo Lee
Soyo Lee
Artist-in-Residence
Korea

Working at the intersection between media arts and biology, Soyo Lee (b.1976, South Korea) mobilises archival materials and museological codes of display to critically examine conventions of collecting, manipulating, and displaying life-forms. In 2017, she initiated Lifeforms in Culture, an independent publishing platform dedicated to artistic and cultural inquiries about biological organisms. Her work has been included in group exhibitions at venues such as Seoul Museum of Art (2018); Museum of Modern and Contemporary Art, Seoul, South Korea (2015, 2016) and Museum of Contemporary Art, Sydney, Australia (2016). The installation Wet Specimen Conservation (2014) is on permanent display at the Mütter Museum of the College of Physicians of Philadelphia, United States. She holds a PhD from the Rensselaer Polytechnic Institute, United States.