Mona Vătămanu & Florin Tudor
Romania
 

Mona Vatamanu & Florin Tudor have taken the prevalent presence of migrant labour as a starting point to think about construction, the literal building of a nation, migration and the emotional realities of itinerancy and how this may affect social interactions.


Related Countries
Romania

Mona Vătămanu & Florin Tudor

14 July - 10 September 2014

Mona Vatamanu & Florin Tudor’s artistic practice spans diverse media including film, photography, painting, performance, and site-specific projects. Through their works, they confront the traumatic legacy of Communism in their native Romania and Eastern Europe, while wrestling with the ongoing challenge of how to process history. As part of the residency so far they have taken a look at the surrounding environment of both the natural jungle like environment and various constructions happening in Gillman Barracks to explore various social dynamics. They have taken the prevalent presence of migrant labour as a starting point to think about construction, the literal building of a nation, migration and the emotional realities of itinerancy and how this may affect social interactions.


Mona Vătămanu & Florin Tudor, 14 July — 10 September 2014, Courtesy the artist.
Mona Vătămanu & Florin Tudor, 14 July — 10 September 2014, Courtesy the artist.

Contributors
Mona Vătămanu & Florin Tudor
Mona Vătămanu & Florin Tudor
Artist-in-Residence
Romania

Mona Vătămanu (b. 1968, Romania) and Florin Tudor (b. 1974, Swtizerland) have worked together since 2000. Their artistic practice spans diverse media including film, photography, painting, performance, and site-specific projects. Vatamanu and Tudor’s broad-reaching practice has positioned them among the most compelling and literate interpreters of our contemporary post-communist condition, which extends far beyond their native Romania. Widely shown in Europe, Vatamanu and Tudor’s artistic practice involves bringing history into the present tense, whether in the form of performative re-enactment or symbolic recuperation. A deep interest in architecture as a repository of both personal and collective memory and as a mark of communist power underlies many of their projects.