Loo Zihan
Singapore
 

Loo Zihan will continue his research into ‘The Ray Langenbach Archive of Performance Art’ which documents over 20 years of performance art in Southeast Asia from 1988 to the present.

Loo Zihan

16 June - 9 September 2016

Whilst in residence, Loo Zihan will continue his research into ‘The Ray Langenbach Archive of Performance Art’ which documents over 20 years of performance art in Southeast Asia from 1988 to the present. Loo’s research is an extension of his reenactments and installations such as Cane (2011, 2012), Archiving Cane (2012) and Artists’ General Assembly: The Langenbach Archive (2013), which have stemmed out of specific documentation from the archive. Loo aims to tap into the mostly unexplored parts of the archive, of abstract and informal, day-to-day recordings of memories and incidents. As a nostalgic and intimate reflection on the arts scene of the early to mid­ 1990’s in Singapore, Loo will unpack the archival material and return to the medium of an experimental essay film that aims to challenge the boundaries between documentary, fiction and experimental filmmaking.


Loo Zihan, 16 June – 9 September 2016, Courtesy the artist.
Loo Zihan, 16 June – 9 September 2016, Courtesy the artist.
Loo Zihan, 16 June – 9 September 2016, Courtesy the artist.
Loo Zihan, 16 June – 9 September 2016, Courtesy the artist.
Loo Zihan, 16 June – 9 September 2016, Courtesy the artist.
Loo Zihan, 16 June – 9 September 2016, Courtesy the artist.
Loo Zihan, 16 June – 9 September 2016, Courtesy the artist.

Contributors
Loo Zihan
Loo Zihan
Artist-in-Residence, Artist
Singapore

Loo Zihan is an artist. His work emphasises the malleability of memory through various representational strategies, from performance re-enactments to essay films. Between June and September 2016, Loo was Artist-in-Residence at NTU CCA Singapore where he continued his research into The Ray Langenbach Archive of Performance Art (which documents over 20 years of performance art in Southeast Asia), and developed I am LGB (a participatory performance commissioned by the Singapore International Festival of Arts) that highlights the fragile relation between education and control.