Irina Botea Bucan & Jon Dean
Singapore
 

Irina Botea Bucan and Jon Dean will investigate the history and current role of community centres in Singapore.

Irina Botea Bucan & Jon Dean

1 November - 30 December 2019

During the 1950s, in many Eastern Bloc countries, cultural houses and clubs were created to fulfil the utopian dream of providing ‘culture for everybody’ whilst also structuring opportunities for people to participate in the collective production of culture. At the same time, these communal environments often enabled the state to monitor leisure time and socio-cultural activities. In order to expand their long-term comparative research on these institutions, Irina Botea Bucan and Jon Dean will investigate the history and current role of community centres in Singapore. Aiming to produce an experimental documentary, they will conduct archival and sociological research to understand how these centres operate and the criteria by which they were designed and managed to provide a specific range of social, cultural, and educational activities at a foundational moment in the country’s history. In particular, they are interested in the process of community-building, the nature of people’s participation, and the role community centres played in the formation of Singapore’s post-colonial identity.


Irina Botea Bucan & Jon Dean, 1 November – 30 December 2019, Courtesy the artist.
Irina Botea Bucan & Jon Dean, 1 November – 30 December 2019, Courtesy the artist.
Irina Botea Bucan & Jon Dean, 1 November – 30 December 2019, Courtesy the artist.
Irina Botea Bucan & Jon Dean, 1 November – 30 December 2019, Courtesy the artist.

Contributors
Irina Botea Bucan & Jon Dean
Irina Botea Bucan & Jon Dean
Artist-in-Residence
Romania

Irina Botea Bucan (b. 1970, Romania) and Jon Dean (b. 1966, United Kingdom) have been working together since 2013. Their artistic collaboration unfolds through filmmaking enquiries premised on the close scrutiny of and active engagement with specific social contexts. Over the years, they developed a methodology based on the symbiotic triangulation of their roles as artists-educators-researchers. Bucan and Dean share an interest in socio-political dynamics, the de-centralisation of discourses, and they are committed to nurturing cultural differentiation outside hegemonic value systems. Their works have been shown internationally at several venues including Centre for Contemporary Art, Torun, Poland (2018); National Museum of Contemporary Art, Bucharest, Romania (2017); The Phillips Museum of Art, Lancaster, United States (2017), and International Film Festival Rotterdam, Netherlands (2015) among others.