Hikaru Fujii
Japan
 

Continuing his scrutiny of Japanese identity by scavenging the country’s past, Hikaru Fujii plans to conduct extensive archival research on the history of the brothels and collaborate with scholars from various disciplines related to the subject.


Topics
History

Related Countries
Japan

Hikaru Fujii

22 October - 23 December 2019

In November 2017, an article published by scholars from the Korean Women’s Development Institute shed new light on the conditions of “comfort stations” run by the Imperial Japanese Army during the Japanese occupation of Singapore (1942-45). The questionable term “comfort stations” refers to brothels, set up for the use of military personnel, which “employed” women abducted from countries under the Japanese rule (mostly Korea and China). The report estimates that, in Singapore, approximately 600 Korean women were forced into prostitution and it also revealed the existence of 52 records about them in the Oral History Centre at the National Archives of Singapore. Official accounts surrounding this infamous practice are still a matter of controversy and diplomatic friction between Japan and the other countries involved. Continuing his scrutiny of Japanese identity by scavenging the country’s past, Hikaru Fujii plans to conduct extensive archival research on the history of the brothels and collaborate with scholars from various disciplines related to the subject.


Hikaru Fujii, 22 October – 23 December 2019, Courtesy the artist.
Hikaru Fujii, 22 October – 23 December 2019, Courtesy the artist.
Hikaru Fujii, 22 October – 23 December 2019, Courtesy the artist.
Hikaru Fujii, 22 October – 23 December 2019, Courtesy the artist.

Contributors
Hikaru Fujii
Hikaru Fujii
Artist-in-Residence
Japan

The artistic practice of artist and filmmaker Hikaru Fujii (b. 1976, Japan) reflects his strong belief that art results from an intimate relationship between society and history. His work probes modern education and social systems in Japan and Asia often employing strategies of reenactment to address the contemporary relevance of historical events. He recently received a solo exhibition at KADIST, Paris, France (2019). His work has also been exhibited at Aichi Triennale, Japan (2019); Fast Forward Festival 5, Onassis Cultural Centre, Athens, Greece (2018); Centre George Pompidou Metz, France (2017), and Museum of Contemporary Art Tokyo, Japan (2016) among others. He was awarded the Nissan Art Award 2017 Grand Prix.