Green Zeng
SIngapore
 

Focusing specifically on student bodies, Green Zeng plans to investigate the history of public expressions of dissent and assess their relevance for younger generations.

Green Zeng

1 April - 29 September 2020

The national archives contain numerous documents related to public assemblies (strikes, sit-ins, student protests, demonstrations, etc.), and yet collective gatherings aimed at voicing dissent have disappeared from the streets of present day Singapore. How do today’s youth address social issues and global emergencies? Where do they voice concern and manifest disagreement? Focusing specifically on student bodies, Green Zeng plans to investigate the history of public expressions of dissent and assess their relevance for younger generations. His efforts will be first directed at creating an archive of public assemblies in Singapore. This will allow him to engage university students on a series of workshops and participatory platforms aimed at understanding the performative function inherent in such actions. Ultimately, he will devise strategies of (re)enactment to reflect on how public assemblies embody the often strained relations between power and the people and shape our understanding of democracy, freedom, and civil rights.


Green Zeng, 1 April — 29 September 2020, Courtesy the artist.
Green Zeng, 1 April — 29 September 2020, Courtesy the artist.

Contributors
Green Zeng
Green Zeng
Artist-in-Residence
SIngapore

The works of filmmaker and artist Green Zeng (b. 1972, Singapore) scrutinise how history is written, interpreted, and disseminated. Focusing on issues such as student activism and the connection between archives, the state, and the individual, he reactivates fragments of the past and questions the artist‚ role in ‚ truth-telling. His films have been presented in international festivals including the 30th Venice International Film Critics‚ Week, Italy (2015) and Cannes Film Festival, France (2006) and his works have been included in group exhibitions at LASALLE‚ Institute of Contemporary Arts, Singapore (2018, 2017); and Para Site, Hong Kong (2015) amongst other venues. His most recent solo presentation is Returning Revisiting and Reconstructing, Foundation Cinema Oasis, Bangkok, Thailand (2019).