Vivarium (wii fl∞w w/ l4if but t4k£ ø forms, ♥) by Fyerool Darma
Research Presentation
 

Fyerool’s Vivarium (wii fl∞w w/ l4if but t4k£ ø f0rms,♥) encapsulates an object-based index of the area wherein the items slide like cursors along intricate trajectories and the realms of the physical and digital, the archive and the display, are merged.

Vivarium (wii fl∞w w/ l4if but t4k£ ø forms, ♥) by Fyerool Darma

7 December 2019 - 12 July 2020

Engaging The Vitrine as a site imbricated with complex histories and practices of display, Fyerool Darma complicates our understanding of Telok Blangah, the area where Gillman Barracks is located and where the artist recently moved, through objects found or acquired, deconstructed and reoriented by the artist and his collaborators.

Vivarium (wii fl∞w w/ l4if but t4k£ ø f0rms,♥) is an exercise in four parts. Identified through keywords caches on internet-based community marketplaces and by skimming through nearby shops, the items are representations of the artist’s movements and encounters around Telok Blangah and of the possible future of the area: from its literal meaning of “cooking pot” to the forthcoming “Greater Southern Waterfront” development plan. Three items will be placed in The Vitrine, one at a time, with a monthly cadence and each accession will be captured in the Highlights section of the artist’s Instagram account (@fdarma).

Asking questions such as: What is Telok Blangah? And, more importantly if objects are to be taken as registers of the site: Where exactly is Telok Blangah?, Fyerool’s Vivarium (wii fl∞w w/ l4if but t4k£ ø f0rms,♥) encapsulates an object-based index of the area wherein the items slide like cursors along intricate trajectories and the realms of the physical and digital, the archive and the display, are merged.


Vivarium (wii fl∞w w/ l4if but t4k£ ø forms, ♥) by Fyerool Darma, December 7, 2019 — July 12, 2020, Courtesy NTU CCA Singapore.
Vivarium (wii fl∞w w/ l4if but t4k£ ø forms, ♥) by Fyerool Darma, December 7, 2019 — July 12, 2020, Courtesy NTU CCA Singapore.
Vivarium (wii fl∞w w/ l4if but t4k£ ø forms, ♥) by Fyerool Darma, December 7, 2019 — July 12, 2020, Courtesy NTU CCA Singapore.
Vivarium (wii fl∞w w/ l4if but t4k£ ø forms, ♥) by Fyerool Darma, December 7, 2019 — July 12, 2020, Courtesy NTU CCA Singapore.
Vivarium (wii fl∞w w/ l4if but t4k£ ø forms, ♥) by Fyerool Darma, December 7, 2019 — July 12, 2020, Courtesy NTU CCA Singapore.
Vivarium (wii fl∞w w/ l4if but t4k£ ø forms, ♥) by Fyerool Darma, December 7, 2019 — July 12, 2020, Courtesy NTU CCA Singapore.
Vivarium (wii fl∞w w/ l4if but t4k£ ø forms, ♥) by Fyerool Darma, December 7, 2019 — July 12, 2020, Courtesy NTU CCA Singapore.

Contributors
Fyerool Darma
Fyerool Darma
Artist-in-Residence
Singapore

Fyerool Darma (b. 1987, Singapore) interrogates and complicates the cultural consumption of history and myth in relation to contemporary markers of identity and class. His artefacts are based on an extensive visual vocabulary drawn from popular culture, literature, archives, the internet, and his own life. Recent solo exhibitions include Sunny, your smile ease the pain, Yeo Workshop, Singapore (2019) and the long-term research project After Ballads, NUS Museum, Singapore (2017-18).He has exhibited in group exhibitions such as As the West Slept, Silver Art Projects, New York, United States; 900mdpl: Ghosts of a Thousand Conversations, Kaliurang, Indonesia; Lost and found: imagining new worlds, Institute of Contemporary Arts, Singapore (all 2019), and An Atlas of Mirrors, Singapore Biennale (2016).