Taking Donna Haraway’s quote as a starting point, Vapour Islands invites us to consider the global ecosystem as a network of entangled and interconnected life-forces, taking the earth’s hydrolic cycle and consider the ways in which thin air can be transformed into a present thick with possibility.
Vapour Islands: to live and die well together in a thick present*
7 March - 7 April 2019
“To live and die well together in a thick present,” quotes the seminal text Staying with the Trouble: Making Kin in the Cthulhucene by Donna Haraway. In this text, Haraway responds to the rising sense of alarm surrounding ecological discourses on the Anthropocene and the Capitalocene. The book is a proposal to move instead towards the discursive framework of the Cthulhucene—an ecological epoch that, for Haraway, “eschews futurism” and remains resolutely with the present and all its problems; one that stays with the trouble and finds kin within it.
To consider the global ecosystem as a network of entangled and interconnected life-forces, the ecological imminence is also an imminence of existence. It begins with disappearance—of water, of trees, of entire habitats and species—all turned to vapour and thin air. And yet thin air in a thick present takes vapour as a beginning, too: vapour cycles through time, becoming cloud, becoming rainfall, becoming water-body again. Taking the Earth’s hydrologic cycle—that is, the sequence of processes detailing the cyclical movement of water on and off the Earth’s surface—as its entry-point, Vapour Islands: to live and die well together in a thick present* is an archipelago of thematic “islands,” in which each island corresponds to one of the four main stages of the hydrologic cycle: evaporation, condensation, precipitation, and percolation. Interacting with books and research materials from the Centre’s Public Resource Platform while thinking through the cycle of water, this presentation moves through and between loss and regain, release and redistribution, to consider the ways in which thin air can be transformed into a present thick with possibility.
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Vapour Islands: to live and die well together in a thick present*, March 7 – April 7 2019, The Lab, Courtesy NTU CCA Singapore.
Vapour Islands: to live and die well together in a thick present*, March 7 – April 7 2019, The Lab, Courtesy NTU CCA Singapore.
Vapour Islands: to live and die well together in a thick present*, March 7 – April 7 2019, The Lab, Courtesy NTU CCA Singapore.
Vapour Islands: to live and die well together in a thick present*, March 7 – April 7 2019, The Lab, Courtesy NTU CCA Singapore.
Vapour Islands: to live and die well together in a thick present*, March 7 – April 7 2019, The Lab, Courtesy NTU CCA Singapore.
Vapour Islands: to live and die well together in a thick present*, March 7 – April 7 2019, The Lab, Courtesy NTU CCA Singapore.
Vapour Islands: to live and die well together in a thick present*, March 7 – April 7 2019, The Lab, Courtesy NTU CCA Singapore.
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Contributors
Sophie Goltz
Curator, Staff
Germany, Singapore
Sophie Goltz was Deputy Director, Research & Academic Programmes at NTU CCA Singapore, and Assistant Professor at the NTU School of Art, Design and Media. Goltz was the Artistic Director of Stadtkuratorin Hamburg (City curator) from 2013 to 2016, and has worked as Senior Curator and Head of Communication and Public Programmes at Neuer Berliner Kunstverein between 2008 and 2013, becoming Associate Curator in 2014. Goltz worked as a freelance curator, as well as an art educator for various international exhibitions, including Documenta11 and documenta 12 (2002 and 2007), 3rd berlin biennale for contemporary art (2004), and Project Migration (2004-06).
Soh Kay Min
Staff
Singapore, Singapore
Soh Kay Min is currently Research Associate at the School of Art, Design, and Media, Nanyang Technological University, overseeing the research projects Climate Crisis and Cultural Loss (2021–2024), Environmentally-Engaged Artistic Practices in South, Southeast Asia and the Pacific (2021–2023), and Understanding Southeast Asia as a ‘Geocultural’ Formation (2021–2023. Previously, Kay Min was part of the research team at NTU CCA Singapore (2018–2021), and worked on projects that focused on the development of trans-institutional research collaborations and facilitation of transdisciplinary artistic research. Kay Min holds a BSc (Hons) in Anthropology from University College London, and MA in Contemporary Art Theory from Goldsmiths College, both University of London.