The wind that cuts the body by Choy Ka Fai
Research Presentation
 

The wind that cuts the body presents Choi Ka Fai’s investigation into Butoh, which arose in Japan at the end of the 1950s, encompassing a diverse range of techniques from dance, theatre, and movement.


Topics
Body, Performance

Related Countries
Japan

The wind that cuts the body by Choy Ka Fai

13 October - 10 December 2017

Driven by his interest in exploring the conditions of the human body, multi-disciplinary artist Choy Ka Fai focuses his research on choreographic practices inAsia. The wind that cuts the body presents his current investigation into Butoh, which arose in Japan at the end of the 1950s, encompassing a diverse range of techniques from dance, theatre, and movement. Choy traces the legacy of one of the key founders, Tatsumi Hijikata (1928–1986) who sought a new form of physical expression he referred to as ankoku butō (“dance of darkness”), delving into imageries of the grotesque and sickness of the human form. The research presentation will feature a selection of reference materials from the Tatsumi Hijikata Archive in Tokyo and from the artist’s expeditions, interviews, and documentary sketches. In his pursuit, Choy went to the extent of interviewing the spirit of Hijikata through an itako (Japanese shaman) and to speculate on the technological possibilities of dancing with Hijikata again.

The wind that cuts the body is curated by Khim Ong, Deputy Director, Curatorial Programmes.


The wind that cuts the body, October 13 – December 10, 2017, Courtesy of NTU CCA Singapore.
The wind that cuts the body, October 13 – December 10, 2017, Courtesy of NTU CCA Singapore.
The wind that cuts the body, October 13 – December 10, 2017, Courtesy of NTU CCA Singapore.
The wind that cuts the body, October 13 – December 10, 2017, Courtesy of NTU CCA Singapore.
The wind that cuts the body, October 13 – December 10, 2017, Courtesy of NTU CCA Singapore.

Contributors
Khim Ong
Khim Ong
Guest Curator
Singapore

Khim Ong is Head & Curator, Biennale and Residencies at Singapore Art Museum. Previously, she was Deputy Director, Curatorial Programmes at NTU CCA Singapore (2016–19) where she co-curated solo exhibitions of internationally acclaimed artists Tarek Atoui, Amar Kanwar, and Yang Fudong, and research exhibitions Trees of Life — Knowledge in Material (2018), Ghosts and Spectres — Shadows of History (2017), and Incomplete Urbanism: Attempts of Critical Spatial Practice (2016). She is co-editor of the publication The Impossibility of Mapping (Urban Asia) (NTU CCA Singapore and World Scientific Publishing 2020). Previously, Ong held curatorial positions at the Institute of Contemporary Arts Singapore, LASALLE and Osage Gallery, Hong Kong. Ong was curator of the Southeast Asia Platform at Art Stage Singapore in 2015 and was part of the curatorial team of Escape Routes, Bangkok Art Biennale 2020.