Jef Geys Quadra Medicinale Singapore
Exhibition
 

Quadra Medicinale Singapore introduces an artistic practice that questions the hierarchies and adaptability of nature and society, provoking reflections on both their communicable and imperceptible structures.

Jef Geys Quadra Medicinale Singapore

1 December 2018 - 3 March 2019

NTU Centre for Contemporary Art Singapore presents Quadra Medicinale Singapore, the late Belgian artist Jef Geys’s first institutional exhibition in Asia. Geys’s conceptual practice adopted an interdisciplinary and collaborative process of research and knowledge-formation, and was driven by his belief that art should be intertwined with the everyday.

For Quadra Medicinale (2009), Geys invited residents of Villeurbanne, New York, Moscow, and Brussels to demarcate a geometrical quadrant, with their home or workplace at the centre, and document 12 unassuming street plants, or “weeds.” From this collection, the collaborators uncovered the productive, and often times medicinal, properties of these plants.

Quadra Medicinale is structured as a universal manual capable of being replicated anywhere and has, since its first presentation at the Pavilion of Belgium during the 53rd Venice Biennale International Art Exhibition in 2009, been realised and shown in various cities including at the Museum of Contemporary Art Detroit (2010). The exhibition was followed by similar methods of botanical and medicinal plant studies as documented in the accompanying publication Kempens Informatieblad. This alternative model set up by Geys for collective knowledge production, sharing, and documentation has, underlying its process, a socially-active role: Geys asked questions such as, “What can a homeless person who has a toothache, for example, chew-on to ease the pain, and to eventually cure the problem?”

On view will be four chapters of the project, including a newly-created Singapore chapter following Geys’s instructions with contributions by local collaborators, Louise Neo and Teo Siyang. Each chapter includes framed plant specimens with their characteristics labelled, photographs of the site where the plants were originally found, as well as maps of the geographical quadrant explored. Through inciting a collaborative process, Geys created a unique model for knowledge production and sharing.

Questioning mainstream and organised systems of urban planning and information dissemination, Geys casted doubt on the fundaments of language and visual representation, interrogating art’s relation to meaning-making. He produced a text explaining the Quadra Medicinale project that has been translated into 10 languages, with annotations by the artist himself on the translations. Their display as large-format scrolls, further probes systems of interpretation, communication, and accessibility. A selection of these text scrolls and a Malay translation, produced for this exhibition, will be shown.

Quadra Medicinale Singapore introduces an artistic practice that questions the hierarchies and adaptability of nature and society, provoking reflections on both their communicable and imperceptible structures. It also poses the question of whether conceptual artworks can be continued after an artist’s passing.

In addition to the elements from Quadra Medicinale, the exhibition includes two paintings from Geys’s Seed-bags series (1963–2018), a long-term project the artist started when, during his own gardening process, he discovered that the image of the vegetables or flowers pictured on the bag did not match the actual plant. With these paintings, which Geys would create every year, he challenged the accuracy and truth of commercial photography. The medium, however, played a significant role in the artist’s practice enabling him to accumulate an extensive archive of his own projects and interests.

In The Single Screen, Day and Night and Day… (2002), his 36-hour-long film produced for Documenta 11 (Kassel, Germany), will be screened in parallel to the exhibition. This film is a mesmeric sequence composed of thousands of black-and-white photographs Geys took from the mid-1950s to 1998.

The exhibition is made possible by generous loans from the Jef Geys Estate and Air de Paris.

Quadra Medicinale Singapore is curated by Dirk Snauwaert, Artistic Director at WIELS Contemporary Art Centre, Brussels, in collaboration with Ute Meta Bauer and Khim Ong, NTU CCA Singapore. Snauwaert was the Curator of Jef Geys: Quadra Medicinale in Venice 2009, commissioned for the National Pavilion of Belgiumby the Flemish Community. Snauwaert was an NTU CCA Singapore Curator-in-Residence in 2015.

The Singapore Chapter, Quadra Medicinale Singapore (2018), is now permanently installed at NTU, Earth Observatory of Singapore, as a gift of Jef Geys Estate. Please click here for the English translation of the Malay scroll on view. 

Jef Geys Quadra Medicinale Singapore public programmes

Jef Geys Quadra Medicinale Singapore, December 01 2018 – March 03, 2019, Courtesy NTU CCA Singapore
Jef Geys Quadra Medicinale Singapore, December 01 2018 – March 03, 2019, Courtesy NTU CCA Singapore
Jef Geys Quadra Medicinale Singapore, December 01 2018 – March 03, 2019, Courtesy NTU CCA Singapore
Jef Geys Quadra Medicinale Singapore, December 01 2018 – March 03, 2019, Courtesy NTU CCA Singapore
Jef Geys Quadra Medicinale Singapore, December 01 2018 – March 03, 2019, Courtesy NTU CCA Singapore
Jef Geys Quadra Medicinale Singapore, December 01 2018 – March 03, 2019, Courtesy NTU CCA Singapore
Jef Geys Quadra Medicinale Singapore, December 01 2018 – March 03, 2019, Courtesy NTU CCA Singapore
Jef Geys Quadra Medicinale Singapore, December 01 2018 – March 03, 2019, Courtesy NTU CCA Singapore

Contributors
Jef Geys
Jef Geys
Artist
Belgium

Jef Geys was among Europe’s most respected yet under-acknowledged artists. Producing artwork since the 1950s, Geys’ practice probes the construction of social and political engagement, and his work radically embraces art as being intertwined with everyday life. Geys graduated from the Antwerp Arts Academy before settling in Balen in the Kempen region of Belgium, where from 1960 to 1989, he taught art at a state school, focusing on educational experimentation in the arts. Since the late 1960s, Geys has been the editor and publisher of his local newspaper, the Kempens Informatieblad, and subsequently produced them in line with his exhibitions. He is known for his meticulous archive of his work, which in turn becomes generative of other works.

Ute Meta Bauer
Ute Meta Bauer
Curator, Founding Director
Singapore

Ute Meta Bauer is a Professor at the School of Art, Design and Media, Nanyang Technological University Singapore (NTU). She is currently the Acting Director and Principal Research Fellow at the NTU Centre for Contemporary Art Singapore (NTU CCA Singapore); and is the Chair of the Masters in Museum Studies and Curatorial Practices (MA MSCP) programme. Having served as the Founding Director of NTU CCA Singapore for over a decade, her work as educator and curator over the past years has focused on Climates. Habitats. Environments. At the Centre, she curated and co-curated The Oceanic (2017/2018), Trees of Life. Knowledge in Material (2018), and The Posthuman City (2020). In 2022, she served as curator for the Singapore Pavilion at the 59th Biennale di Venezia, featuring artist Shubigi Rao. Her recent large scale projects include the 17th Istanbul Biennial (2022), co-curated alongside David Teh and Amar Kanwar, and the artistic direction of the Diriyah Contemporary Art Biennale 2024. She is a Trustee of the Art Foundation TBA21 and a member of the Governing Council of n.b.k. Berlin. Bauer was recently conferred an Honorary Doctorate of Art and Design by Aalto University School of Arts, Design and Architecture, Helsinki, Finland.

Khim Ong
Khim Ong
Guest Curator
Singapore

Khim Ong is Head & Curator, Biennale and Residencies at Singapore Art Museum. Previously, she was Deputy Director, Curatorial Programmes at NTU CCA Singapore (2016–19) where she co-curated solo exhibitions of internationally acclaimed artists Tarek Atoui, Amar Kanwar, and Yang Fudong, and research exhibitions Trees of Life — Knowledge in Material (2018), Ghosts and Spectres — Shadows of History (2017), and Incomplete Urbanism: Attempts of Critical Spatial Practice (2016). She is co-editor of the publication The Impossibility of Mapping (Urban Asia) (NTU CCA Singapore and World Scientific Publishing 2020). Previously, Ong held curatorial positions at the Institute of Contemporary Arts Singapore, LASALLE and Osage Gallery, Hong Kong. Ong was curator of the Southeast Asia Platform at Art Stage Singapore in 2015 and was part of the curatorial team of Escape Routes, Bangkok Art Biennale 2020.

Louise Neo
Louise Neo
Artist
Singapore

Louise Neo is a botanical researcher and the co-author of Wayside Flowers of Singapore, a full-colour guidebook that showcases the diversity of wildflowers in Singapore and interesting facts about each species. Neo is a contributor to Urban Forest (uforest.org), a non-profit online platform that aims to provide an accessible and convenient identification guide to the diversity of plants in Singapore and the region.

Teo Siyang
Teo Siyang
Artist
Singapore

Teo Siyang is a full-time data analyst with a biology degree and the founder of Urban Forest (uforest.org), which aims to provide information about the diversity of plants in Singapore. The platform was built on the belief that the first step in conservation is enabling people to identify the nature around them so they can foster a deeper connection with it.