Free Jazz IV. Geomancers

Zarina Muhammad & Zachary Chan, earth, land, sky and sea as palimpsest, 2021, still, 17 min 37 sec. Free Jazz IV. Geomancers, NTU Centre for Contemporary Art Singapore. Courtesy the artists.

Exhibition
 

Free Jazz IV. Geomancers is supported by National Arts Council Singapore and Nicoletta Fiorucci Russo De Li Galli. NTU CCA Singapore also wishes to thank our collaborators IHME Helsinki, and PUB Singapore’s National Water Agency at Marina Barrage.

Free Jazz IV. Geomancers

14 January - 23 January 2022

From its first iteration in 2013, Free Jazz has pushed boundaries and expanded upon pressing concerns of our times. Free Jazz IV. Geomancers continues this approach, featuring artworks ranging from virtual reality to video, performance, and sound as an exercise in planetary awareness. The exhibition presents significant artistic practices from across the globe that are deeply invested in creating an environmental consciousness and that share an understanding of the world as a vulnerable, yet resilient, mesh of coexistences, correlations, and co-creations. As with geomancy, these artworks can help us to read the signs that our planet is trying to send us and that they can inspire a stronger commitment to create a sustainable future for life on Earth.

Alongside scientists, environmental activists, enlightened policy makers and civil society members, contemporary artists are increasingly concerned with future prospects of ecological collapse and planetary survival. They address these issues through the language of art, creating images, sounds, narratives, and experiences that allow us to establish affective and cognitive connections with the environment and partake in the planetary intelligence of the Earth. Stemming from NTU CCA Singapore’s ongoing engagement with the overarching subject of Climates.Habitats. Environments., Free Jazz IV. Geomancers brings together a selection of creative practitioners who are distinctly alert to these urgencies.

Conceived for Singapore Art Week 2022, this programme consists of a film screening series, a virtual reality installation, a performance and a sound installation. Some of the featured artworks zero in on signs of earthly demise, others indicate pathways of resilience and strategies for regeneration. All the works result from long-term research and extensive fieldwork and, when presented together, they engender a kaleidoscopic overview of the multitudinous forms of ecological entanglements.

Artists: Martha Atienza (Philippines), Ursula Biemann (Switzerland), Carolina Caycedo & David de Rozas (United Kingdom; Spain/United States), Chu Hao Pei (Singapore), Liu Chuang (China), Pedro Neves Marques (Portugal), Katie Paterson (Scotland), Rice Brewing Sisters Club (South Korea), Daniel Steegmann Mangrané (Spain/Brazil), Jana Winderen (Norway), Zarina Muhammad & Zachary Chan (Singapore), and Robert Zhao Renhui (Singapore).

Free Jazz IV. Geomancers is supported by National Arts Council Singapore and Nicoletta Fiorucci Russo De Li Galli. NTU CCA Singapore also wishes to thank our collaborators IHME Helsinki, and PUB Singapore’s National Water Agency at Marina Barrage.

Katie Paterson
To Burn, Forest, Fire, 2021, performance
Performance schedule: 14, 15, 18, 22, and 23 January, 6.30 – 7.00pm
Block 37 Malan Road, #01-04, Gillman Barracks
Entrance is on a first-come first-served basis up to the capacity allowed by the prevailing social distancing measures. Audience to arrive at least 15 minutes before the performance starts. Please note that the performance entails the burning of incense inside an indoor space.
Please see our Facebook event for the latest updates.

Daniel Steegmann Mangrané
Phantom (kingdom of all the animals and all the beasts is my name)
2014–2015, VR installation
Tuesday to Sunday, 12.00 – 7.00pm
Fridays, 12.00 – 9.00pm
Block 38 Malan Road, #01-07, Gillman Barracks
Please see our Facebook event for the latest updates.

Jana Winderen
Listening through the Dead Zones, 2021, sound installation, 20 min, on loop.
Monday to Thursday: 8.00am to 9.00pm (last entry 8.00pm)
Fridays to Sundays: 8.00am to 10.00pm(last entry 9.00pm)
Please see our Facebook event for the latest updates.

Green Roof, Marina Barrage, 8 Marina Gardens Drive, Singapore 018951
The sound installation is located on the Green Roof at Marina Barrage, above the Sustainable Singapore Gallery, accessible either via the walking ramp or the elevator. Once on the rooftop, visitors will find the work in the proximity of the glass house, on the southern edge of the rooftop. Visitors are encouraged to take the time to pause and experience Listening to the Dead Zones while facing the open sea.

Screening Programme

Friday, 14 and 21 January 2022, 12.00 – 9.00pm
Session I: 12.00 – 2.50pm
Session II: 3.00 – 5.50pm
Session III: 6.00 – 8.50pm

Tuesday to Sunday, 15 – 23 January 2022, 12.00 – 7.00pm
Session I: 12.00 – 3.20pm (intermission: 1.30 – 2.00pm)
Session II: 3.30 – 6.50pm (intermission: 5.00 – 5.30pm)

Block 38 Malan Road, #01-06, Gillman Barracks
Films will be screened in the order as below during each session.
Please see our Facebook event for the latest updates.

Martha Atienza
Panangatan 11°09’53.3”N 123°42’40.5”E 2019-10-24, 9min

Zarina Muhammad & Zachary Chan
earth, land, sky and sea as palimpsest, 17 min 37 sec

Rice Brewing Sisters Club
Mountain Storytellers, Storytelling Mountains: A Tale Theatre, 15 min 37 sec

Carolina Caycedo & David de Rozas
The Teaching of the Hands, 47 min

Pedro Neves Marques
Semente Exterminadora [Exterminator Seed], 28 min

Ursula Biemann
Acoustic Ocean, 18 min

Liu Chuang
Can Sound be Currency?, 19 min 43 sec

Chu Hao Pei
Inventing Miracle: The Rice to Power, 9 min 59 sec

Robert Zhao Renhui
And A Great Sign Appeared, 4 min 52 sec

 
Images
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Liu Chuang, Can Sound be Currency?, 2021, video, 2K, colour, stereo, 19 min 43 sec
Daniel Steegmann Mangrané, Phantom (kingdom of all the animals and all the beasts is my name), 2014–2015, virtual reality headset, Unity 3D forest scan, motion capture technology, custom ceiling grid
Zarina Muhammad and Zachary Chan, earth, land, sky and sea as palimpsest, 2021, video, colour, sound, 17 min 37 sec, video still. Courtesy the artists
Rice Brewing Sisters Club, Cheopcheopdamdam Iyagigeuk / Mountain, Storytellers, Storytelling Mountains: A Tale, Theatre 첩첩담담 疊疊談談 이야기극, 2020, HD video, colour, sound, 15 min 37 sec, video still. Courtesy the artists
Robert Zhao Renhui, And A Great Sign Appeared, 2021, video still (detail)
Ursula Biemann, Acoustic Ocean, 2018, video, 4K, colour, sound, 18 min, video still. Courtesy the artist
Carolina Caycedo and David de Rozas, The Teaching of the Hands, 2020, HD panoramic video, colour, surround sound, 47 min , film still (detail). Courtesy the artists
Martha Atienza, Panangatan 11°09’53.3”N 123°42’40.5”E 2019-10-24 Thu 6:42 AM PST 1.29 meters High Tide, 2019-10-12 Sat 10:26 AM PST 1.40 meters High Tide, 2019, single-channel HD video video, no sound, 9min, video still. Courtesy the artist and SILVERLENS
Jana Winderen, Listening through the Dead Zones, 2021, 2-channel sound installation, 20 min, on loop
Pedro Neves Marques, Semente Exterminadora [Exterminator Seed], 2017, video, 2K, colour, sound, 28 min, video still, Brazillian Portuguese with English subtitles. Courtesy the artist; Agencia da Curta Metragem; and Galleria Umberto di Marino
Katie Paterson, To Burn, Forest, Fire, 2021, Performance, incense., IHME Helsinki Commission 2021. Photo: Veikko Somerpuro. Courtesy the artist
Chu Hao Pei, Tasting Sovereignty, 2021, Participatory project developed in collaboration with Appetite. Photo: From the image collection of the International Rice Research Institute (IRRI).
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Collateral for Free Jazz IV. Geomancers

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